Younger painters, beginning with Cezanne in 1882, Gauguin in 1877, and later Matisse and Picabia sought him out. Hoarfrost of 1873 was exhibited at the first Impressionist exhibition in 1874 and is an excellent example of what the style entailed. Technique, style and method of Camille Pissarro Style and method. The catalog numbers of the listed works are as given in the Catalogue Raisonné of the Wildenstein Institute. To Henri Matisse, Cézanne was “the father of us all,” to Paul Klee, “the teacher par excellence,” and to Pablo Picasso, “a mother who protects her children.” (This is not the place to discuss Picasso’s habit of describing any male painter by whom he felt challenged in female terms.) Pissarro's career was indeed a long and arduous search for the perfect method of expressing himself and his ideas. Pissarro initially adopted this technique, but by 1890 he had turned away from Pointillism. This is an incomplete list of the paintings by the Danish-French Impressionist artist Camille Pissarro (1830–1903).. Pissarro was Matisse's master, present in his work in many ways, including some later attributed to Cézanne. Travel to other countries inspired Matisse as well, including visits to England, Spain, Italy, Morocco, Russia, and later, Tahiti. Matisse intensifies color by reflecting it on the objects and the shadows on the tablecloth. Read more For more available works please contact us on stern@pissarro.com or +44 (0)20 7629 6662 . Cezanne, owing him deeply, artistically and psychologically, maintained, “we are all derived from Pissarro.” Matisse was moved to tears just in meeting him and later visited him repeatedly. In this painting we see his brushwork is similar to that of van Gogh’s kinetic mark making. Cezanne revered him, saying he was like father to him. In 1897, Matisse met Camille Pissarro (1830-1903), who introduced him to the work of Paul Cézanne (1839-1906). Matisse intensifies color by reflecting it on the objects and the shadows on the tablecloth. Matisse’s work is also found in the world’s leading galleries, including the MoMA and the Guggenheim in New York, the Tate Modern in London and the Centre Pompidou in Paris. Breaking away from the traditionally religious, mythological and historical subject matter, Pissarro, along with his contemporaries, were inspired by the countryside and the everyday lives of the people of the time. Pissarro experimented with Neo-Impressionism ; In 1886, Pissarro met Georges Seurat and Paul Signac, who rejected the spontaneity of the Impressionists in favour of meticulously applied dabs of paint and the colour theories of Michel Eugène Chevreul. ... Henri Matisse was a … Mentor Camille Pissarro, one of the original Impressionists, gave advice that Matisse embraced: "Paint what you observe and feel." 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